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Short & Sweet: ELF The Musical

Posted on: December 13th, 2013 by broadwayinchicago No Comments

Diana Martinez and guest critic Karen Whalen give you the Short & Sweet on ELF The Musical. It’s only here through this weekend so make sure to get your tickets now if you haven’t had the chance to see the show Martinez calls “a funny, fresh treat for the holidays”.

 

Short & Sweet: Wicked

Posted on: November 15th, 2013 by broadwayinchicago No Comments

Diana Martinez and guest critic Sarah Pouls give you the Short & Sweet review on Wicked:

 

Tony Tuesday

Posted on: April 30th, 2013 by broadwayinchicago No Comments
Billy Porter, Annaleigh Ashford and Stark Sands in Kinky Boots  (Photo by Sean Williams)

Billy Porter, Annaleigh Ashford and Stark Sands in Kinky Boots
(Photo by Sean Williams)

Nominations for the 2013 Tony Awards were announced this morning! Kinky Boots, which had its pre-Broadway World Premiere here in Chicago last fall, led the way with 13 nominations! Matilda was close behind with 12 nominations and the revival of Stephen Schwartz’s Pippin with 10.

Other nominated shows that played here before Broadway include Bring It On (Best Musical and Best Choreography) and Holland Taylor earning a Leading Actress in a Play nomination for Ann, the story of Texas Governor  Ann Richards. The Broadway transfer of Steppenwolf Theatre Company‘s production of Edward Albee’s Who’s Afraid of Virginia Woolf? earned five nominations, while ensemble member Laurie Metcalf was also recognized for her work in The Other Place.

For the complete list of nominations, click here. Are you surprised by any of the nominations? Were there any shows you feel were snubbed? And most importantly, what shows are you hoping come here to Chicago? (I’ll start — a return engagement of Kinky Boots!.

 

Short and Sweet – An Audience View: Anything Goes

Posted on: April 25th, 2013 by broadwayinchicago No Comments
Rachel York and Company Roundabout Theatre Company’s ANYTHING GOES © Joan Marcus, 2012

Rachel York and Company
Roundabout Theatre Company’s ANYTHING GOES
© Joan Marcus, 2012

Broadway In Chicago is happy to introduce “Short and Sweet,” a quick view of our shows courtesy of Diana Martinez, who will give you the lowdown on Broadway In Chicago productions from the perspective of an audience member. Diana has more than 25 years of experience as an entertainment executive, most recently as President of The Second City. She has directed and produced over 40 live Broadway musical theatre shows and has presented more than 350 world-class Broadway national tours, dance, headline comedians and concert. We hope you enjoy this quick insight into our shows, and since this is all about our audience, share your own thoughts with us in the comments below.

Do anything to see Anything Goes

This Tony Award®-winning Broadway National Tour of Anything Goes is the real deal. Right off the bat these cats sweep you into the swanky, salty 1930’s with their fabulous double-talk and witty banter. This is solid cast with veterans all the way around and the sets are straight from the Broadway Stage.

Within the first few bars of leading lady Rachel York’s smoky and silky rendition of  “I Get a Kick Out of You,” I knew I was for a real treat. She has an unmatched smooth, mezzo voice that oozes with a style and control that is hypnotic, giving you  a hankering for a sloe gin fizz. But don’t let it fool you, as the show continues she lets it rip and can belt it out against the best.

emily anything goesMy guest for the evening was Emily Martinez, my 24- year-old niece, recent DePaul graduate, a Chicagoan and one of Kraft’s newest brand assistants.  As the lights came up at intermission she was still looking at the stage and said, “I love the ’30s and now I love them more. There isn’t anything I don’t like about this show. It’s perfect”.

This production is truly everything a national Broadway musical tour should be: huge production numbers, show-stopping tap breaks, opulent sets and costumes and a story filled with humor and romance.  This production is timeless and it is played and timed perfectly. Big kudos to director Kathleen Marshall for knowing just how to hit each beat and appeal to a modern-day audience. Instead of feeling dated, the show actually feels fresh and makes you realize just how smart, sexy, racy and edgy the ’30s were – the humor was sharp and filled with sophisticated wit. One interesting thing I noticed is that the show hits almost every classic comic style imaginable from mistaken identities, play on words and puns, to vaudeville “Who’s On First” style bits, slapstick and double-entendres. It was all here – and masterfully executed by this distinguished cast making the opening night audience LOL throughout the show.

The sets are opulent massive and impressive, and they keep coming scene after scene. The costumes designed by Martin Pakledinaz are stunning and the sleek and flowing designs and fabric choices always included a gorgeous visual payoff from the back of each dress.

The chemistry and spark between Josh Franklin and Rachel York in the duet  “You’re the Top” was one of the highlights of the show for me; by the sounds of a show-stopping ovation complete with hoots and hollering from the opening night audience I think the sentiment was shared. Other show stoppers were the act I finale “Anything Goes” with 22 hoofers bringing it home, “Blow, Gabriel, Blow,” and the finale which brought this Chicago audience to an immediate standing ovation. This is a show you can bring the entire family to, so get them together fast because the show is only sailing through until May 5. Honestly, this is an amazing cast and production not to be missed.

 

Guest Blog: Illinois High School Musical Theater Award Recipient – Meadow Nguy

Posted on: July 16th, 2012 by broadwayinchicago No Comments

This has been an amazing ride. My Show Choir director saw a flyer about the IHSMTAs at a competition and handed it to my mom with the statement that I should try to do this. While we talked a bit about it, because I was knee-deep in rehearsals for our Spring Musical the Wizard of Oz, I was honestly only half listening. I was focused on memorizing, blocking, character building to make Dorothy as real as she could be. Mom took pictures, Dad worked video magic, we all talked some, and then sent my application off in the mail without thinking much more about it. I didn’t figure it would really amount to anything given that it was for the whole state.

I was floored when the call came that I was a finalist. All I could think of was “I was a what?” and “I have to be where?” Then the list came out of all the students who were participating and I thought “Wow, those are some big schools”. O’Fallon has a great music program, but I had seen a lot of other schools through show choir competitions that were up in those areas and it always seemed like they were incredibly talented. I spent a lot of time talking with my Choir director and my Show Choir director and finally came to terms with the fact that whatever was going to happen would happen and so long as I gave it my best shot, I could be proud and they would be proud of me. The day of the IHSMTA competition came and it was amazing getting to work with the crew from the Jersey Boys. I could hear a lot of the other students with their big “belty” songs and realized that “Somewhere Over The Rainbow” just wasn’t that kind, so I honestly didn’t figure that I’d stand out in anyway. So I went into my audition with the thought that I was there for the experience and to do the best I could. I honestly didn’t think I heard right when my name was called for the IHSMTA actress winner. When I realized I had to sing again, all I could think of was please don’t cry. My mom laughed when I was talking to her on the way home after, because I told her that “I didn’t cry, but thought I would start now”; and I did. I bawled.

Then came the preparation for New York. Talk about a nerve wracking experience in preparing. Working on four songs, not knowing what questions to ask, but knowing you should have a million of them. Trying to figure out how to connect to new characters for the songs that were to be competition possibilities. I was more nervous getting ready for New York than I was in New York. Our chaperone Jamie was fantastic. She was a girlfriend, chaperone, and mom all rolled into one. I know Nathan and I could never thank her enough for her support. Her enthusiasm totally helped put me at ease. It was my first airplane ride, first taxi, first trip to New York…lots of firsts. New York was…EXHAUSTING. Long days of rehearsals, real life working with Broadway professionals, and staff at NYU. There was definitely a “Reality” to the whole experience if you’re truly interested in going into Musical Theater. There were times that you feel really good about it, and times that you second guess what your doing with your performances. Some people you connect with and some that you realize you can respect, but just wont’ connect with. It’s a “total” learning experience. It was incredible being with other students that love the same thing you do and not have to deal with all the “high school pettiness” of jealousy and talent because your all there for the same reasons; your all talented or you wouldn’t be there. Everyone was very supportive of each other. I don’t know if it is that way every year but it was wonderful in that way this year for me. I made some amazing friends and worked with people that I’ve only ever dreamed of meeting. Yes, I jumped up and down when meeting some of them, even though I promised myself that I wouldn’t do that. Thankfully, they were all so very gracious about it. Auditioning was nerve wracking, but I came to the point during that week where I decided that no matter what happened, so long as I gave it my best shot, I could be proud of myself. Performing on a Broadway stage…well there is nothing like it, no comparison. It did reaffirm though that I want to be in Musical Theater more than ever.

I hope that Illinois can be proud of Nathan and me. We worked hard, learned a lot, and sure gave it our all. I know that I’m going to be forever grateful for the opportunities that have come about because of winning the IHSMTA award. It has given me more opportunities and new experiences that I ever dreamed would happen at the age of 16. I certainly go into my Senior year with eyes wide open as to what I want to do with my life and how hard I’m going to have to work to make it happen. Who knows, maybe sometime in the next five to ten years, it’ll be Nathan and I there inspiring students just like us. Definitely worth adding to my list of goals. Thank you so very much for all your support of us. You have definitely become part of our extended Broadway family. I won’t ever truly be able to express the amount of emotions that go into this experience but know I have grown tremendously and I can totally contribute a lot of it to this amazing ride.

– Meadow Nguy, IHSMTA Award Recipient